Watercolor, pen & black ink, black ink wash, graphite
Signed in red crayon, lower left
Provenance: Estate of the artist
Sheet size: 10 ¾ X 14 inches
Frame size: 20 3/8 X 22 ¾
inches
Exhibited: Drawings
and Watercolors by Moses Soyer: From Social Realism to Romantic Realism,
Ridderhof Martin Gallery, University of Mary Washington, Fredericksburg,
Virginia, January-March, 2002.
Soyer’s wife, Ida, was a featured dancer with the Helen
Tamiris Modern Dance group throughout the 1930s and well into the 1940s. Helen
Tamiris, together with Martha Graham and Doris Humphrey, is considered one of
the founders of Modern Dance. As the
artist’s son, David, has pointed out: This
connection was an important element in Moses’ use of dancers and dance themes
in his art. Many people think my father painted and drew dancers because he was
influenced by Degas. He did love Degas, but the real reason he painted dancers
is that he was surrounded by them! To my
child’s-eye memory, Ida was the most athletic in the group; the highest jumper,
the longest leaper. She also studied, but did not perform, ballet. Ida and her
dance colleagues served as Moses’ earliest models and as they grew older and
moved to other aspects of their lives, he kept in close contact with later
generations of dancers.
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